Bbc radio 1 listen again annie mac

And you're tuned into the official start to the weekend! It's no surprise that Annie Mac has won the Best Of British award for her Dance Show on Radio 1 — her weekly party-starter on the airwaves provides the kind of listening material to get you right in the mood, and bring you up to date with all that is wonderful, high-energy and fresh in the world of dance releases and stuff coming up for your diary. Her success is undoubtedly due to her uncanny knack of being able to take some of the 'biggest bangers' from the scene and mix them between remixes that are, in her words, 'so ridiculous'.

Throw in a few 'old classics' and a host of seriously hot tunes you didn't even know you needed to hear, and her show has a magic formula. Inevitably she has been responsible for breaking the likes of Disclosure, Clean Bandit and Duke Dumont, propelling them to further stardom, while helping to keep their toes dipped in the party scene by supporting them along the way. And her unique skill is that ability to furnish listeners with an audio experience that can appeal to most but also make you feel like it's just for your ears. Amazingly, it was back in that she first snagged the prime, coveted slot from Pete Tong — and the fit was perfect.

Annie presents in an upbeat style with down-to-earth tones that pull you in and ignite a feeling of 'come on, let's go out! Many of the most popular pirate radio voices, such as Simon Dee, had only a one-hour slot per week "Midday Spin. Initially, the station was unpopular with some of its target audience who, it is claimed, disliked the fact that much of its airtime was shared with Radio 2 and that it was less unequivocally aimed at a young audience than the offshore stations, with some DJs such as Jimmy Young being in their 40s.

The very fact that it was part of an "establishment" institution such as the BBC was a turn-off for some, and needle time restrictions prevented it from playing as many records as offshore stations had. It also had limited finances partly because the BBC did not increase its licence fee to fund the new station and often, as in January , suffered disproportionately when the BBC had to make financial cutbacks, strengthening an impression that it was regarded as a lower priority by senior BBC executives.

In the early-mids Radio 1 presenters were rarely out of the British tabloids, thanks to the Publicity Department's high-profile work. The touring summer live broadcasts called the Radio 1 Roadshow — usually as part of the BBC 'Radio Weeks' promotions that took Radio 1, 2 and 4 shows on the road — drew some of the largest crowds of the decade. The station undoubtedly played a role in maintaining the high sales of 45 rpm single records although it benefited from a lack of competition, apart from Radio Luxembourg and Manx Radio in the Isle of Man.

Independent Local Radio did not begin until October , took many years to cover virtually all of the UK and was initially a mixture of music and talk. Alan Freeman 's 'Saturday Rock Show' was voted 'Best Radio Show' five years running by readers of a national music publication, and was then axed by controller Derek Chinnery. Annie Nightingale , who joined in , was Britain's first female DJ and is now the longest serving presenter, having constantly evolved her musical tastes with the times. On Thursday 23 November the station moved to two new medium wave frequencies m and m which allowed a major increase in transmitter powers and improved coverage of the UK.

The station was on medium wave only until the early 80s, when it took over the Radio 2 FM frequency for a number of hours on weekend afternoons and late weekday evenings. Eventually the BBC set up an FM channel specifically for Radio 1 and after a number of years of parallel broadcasting, relinquished the medium wave frequencies.

In his last few months as controller, Johnny Beerling commissioned a handful of new shows that in some ways set the tone for what was to come under Matthew Bannister. One of these " Loud'n'proud " was the UK's first national radio series aimed at a gay audience made in Manchester and was aired from August Far from being a parting quirk, the show was a surprise hit and led to the network's first coverage of the large outdoor Gay Pride event in Bannister took the reins fully in October His aim was to rid the station of its ' Smashie and Nicey ' image and make it appeal to the under 25s.

Although originally launched as a youth station, by the early s, its loyal listeners and DJs had aged with the station over its year history. Another problem was that, at the time, Radio 2 was sticking resolutely to a format which appealed mainly to those who had been listening since the days of the Light Programme , and commercial radio, which was targeting the "Radio 1 and a half" audience, consequently enjoyed a massive increase in its audience share at the expense of Radio 1.

After the departure of Steve Wright , who had been unsuccessfully moved from his long-running afternoon show to the breakfast show in January , Bannister hired Chris Evans to present the prime morning slot in April Evans was a popular but controversial presenter who was eventually sacked in after he demanded to present the breakfast show for only four days per week. Evans was replaced from 17 February by Mark and Lard — Mark Radcliffe along with his sidekick Marc Riley , who found the slick, mass-audience style required for a breakfast show did not come naturally to them.

They were replaced by Zoe Ball and Kevin Greening eight months later in October , with Greening moving on and leaving Ball as solo presenter. The reinvention of the station happened at a fortuitous time, with the rise of Britpop in the mids — bands like Oasis , Blur and Pulp were popular and credible at the time and the station's popularity rose with them. Documentaries like John Peel's "Lost in Music" which looked at the influence that the use of drugs have had over popular musicians received critical acclaim but were slated inside Broadcasting House.

Later in the s the Britpop boom declined, and manufactured chart pop boy bands and acts aimed at sub-teenagers came to dominate the charts. New-genre music occupied the evenings indie on weekdays and dance at weekends , with a mix of specialist shows and playlist fillers through late nights. The rise of rave culture through the late s and early s gave the station the opportunity to move into a controversial and youth-orientated movement by bringing in club DJ Pete Tong amongst others.

There had been a dance music programme on Radio 1 since and Pete Tong was the second DJ to present an all dance music show. This quickly gave birth to the Essential Mix where underground DJs mix electronic and club based music in a two-hour slot. Listening numbers continued to decline but the station succeeded in targeting a younger age-group and more cross gender groups. Eventually, this change in content was reflected by a rise in audience that is continuing to this day. Its website has also been well received. However, the breakfast show and the UK Top 40 continued to struggle.

In , Zoe Ball was replaced in the mornings by friend and fellow ladette Sara Cox , but, despite heavy promotion, listening figures for the breakfast show continued to fall. In Cox was replaced by Chris Moyles. Moyles continued to use innovative ways to try to tempt listeners from the Wake Up to Wogan show. This angered the BBC hierarchy, though the row simmered down when it was clear that the 'campaign' had totally failed to alter the listening trends of the time — Wogan still increased figures at a faster rate than Moyles. The chart show's ratings fell after the departure of long-time host Mark Goodier , amid falling single sales in the UK.

Ratings for the show fell in whilst Goodier was still presenting the show, meaning that commercial radio's Network Chart overtook it in the ratings for the first time. However, the BBC denied he was being sacked. Before July , when the chart release day was changed to Friday, the BBC show competed with networked commercial radio's The Big Top 40 Show which was broadcast at the same time. Many DJs either ousted by Bannister or who left during his tenure such as Johnnie Walker , Bob Harris and Steve Wright have joined Radio 2 which has now overtaken Radio 1 as the UK's most popular radio station, using a style that Radio 1 had until the early s.

The success of Moyles' show has come alongside increased success for the station in general. A new evening schedule was introduced in September , dividing the week by genre. Following the death of John Peel in October , Annie Nightingale is now the longest serving presenter, having worked there since The licence-fee funding of Radio 1, alongside Radio 2, is often criticised by the commercial sector.

In the first quarter of Radio 1 was part of an efficiency review conducted by John Myers. On 7 December , Ben Cooper's first major changes to the station were announced. A number of shows were shuffled to incorporate the new line-up. In November , another series of changes were announced.

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This included the departure of Reggie Yates and Vernon Kay. Jameela Jamil was announced as the new presenter of The Official Chart. Matt Edmondson moved to weekend mornings with Tom Deacon briefly replacing him on Wednesday nights. The changes took effect in January Former breakfast presenter Sara Cox hosted her last show on Radio 1 in February before moving to Radio 2.

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In March , Gemma Cairney left the weekend breakfast show to host the weekday early breakfast slot, swapping shows with Dev. In September , Radio 1 operated a series of changes to their output which saw many notable presenters leave the station — including Edith Bowman, Nihal and Rob da Bank.

From December to April , Radio 1 included a weekly late night show presented by a well known Internet personality called The Internet Takeover. In May , Fearne Cotton left the station after almost 10 years. Her weekday morning show was taken over by Clara Amfo. Adele Roberts also joined the weekday schedule line-up, hosting the Early Breakfast show. The move took place in order to take into account the changes to the release dates of music globally. Cel Spellman joined Radio 1 to host Sunday evenings. In September , a new slot namely Radio 1's Greatest Hits was introduced for weekends 10am-1pm.

The show started on 2 September Commemorations include a three-day pop-up station Radio 1 Vintage celebrating the station's presenters and special on-air programmes on the day itself, including a special breakfast show co-presented by the station's launch DJ Tony Blackburn , which is also broadcast on BBC Radio 2.

Annie Mac (Radio 1 in Ibiza 2014)

In October , another major schedule change was announced. Friction left the station. Danny Howard would host a new show on Friday 11pm-1am. Huw Stephens 's show pushed to 11pm-1am.

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Phil Taggart presented the Hype Chart on Tuesdays am. In February , the first major schedule change of the year happened on the weekend. Alice Levine moved to the breakfast slot to join Dev. Matt Edmondson would replace Alice Levine's original slot in the afternoon and joined by a different guest co-presenter each week.

The changes took into effect on 24 February In April , another major schedule change was made due to the incorporation of weekend schedule on Fridays. The changes took into effect on 15 June In May , it was announced that Nick Grimshaw would leave the Breakfast Show after six years, the second longest run hosting the show in history only second to Chris Moyles.

However, Grimshaw is not leaving the station, but swapping slots with Greg James , who normally hosts the home time show from pm weekdays. This change took place as of 20 August for the Radio 1 Breakfast Show which was then renamed to Radio 1 Breakfast. In June , another series of schedule changes was announced. Other changes include the shows rearrangement of Sunday evenings.

The changes took into effect in September In October , Charlie Sloth announced that he was leaving Radio 1 and 1Xtra after serving the station for nearly 10 years. He was hosting The 8th and The Rap Show at that point.

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His last show was expected to be on 3 November Charlie was nominated for best specialist music show at the ARIAS — a category he lost out on to Soundtracking with Edith Bowman and prompting him to appear on stage during her acceptance. In the same month, B. Traits announced that she was leaving BBC Radio 1 after six years of commitment. She said she feels as though she can no longer devote the necessary time needed to make the show the best it can be, and is moving on to focus on new projects and adventures. Her last show was on 26 October The changes took effect from 2 November onwards.

This meant that Matt and Mollie became the new Weekend Breakfast hosts, and Dev and Alice became the afternoon show hosts. On 15 November , Radio 1 announced that Tiffany Calver, who has previously hosted a dedicated hip-hop show on the new-music station KissFresh , would join the station and host the Rap Show.

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The change took effect from 5 January On 26 November , Radio 1 announced that the new hosts for The 8th would be those of Kiss 's breakfast show: The change will take effect sometime around From inception for over 20 years, Radio 1 broadcast from an adjacent pair of continuity suites originally Con A and Con B in the main control room of Broadcasting House. These cons were configured to allow DJs to operate the equipment themselves and play their own records and jingle cartridges called self-op.

This was a departure from traditional BBC practice, where a studio manager would play in discs from the studio control cubicle. Due to needle time restrictions, much of the music was played from tapes of BBC session recordings. The DJs were assisted by one or more technical operators TOs who would set up tapes and control sound levels during broadcasts. The station moved to Yalding House in , and Egton House was demolished in to make way for extension to Broadcasting House. This extension would eventually be renamed the Egton Wing, and then the Peel Wing.

They used to broadcast from two main studios in the basement; Y2 and Y3 there is also a smaller studio, YP1, used mainly for production. These two main studios Y2 and Y3 are separated by the " Live Lounge ", although it is mainly used as an office; there are rarely live sets recorded from it, as Maida Vale Studios is used instead for larger set-ups. The studios are linked by webcams and windows through the "Live Lounge", allowing DJs to see each other when changing between shows.

Y2 is the studio from where The Chris Moyles Show was broadcast and is also the studio rigged with static cameras for when the station broadcasts on the "Live Cam". The station moved there in from Egton House. Programmes have also regularly been broadcast from other regions, notably The Mark and Lard Show , broadcast every weekday from New Broadcasting House , Oxford Road, Manchester for over a decade October — March — the longest regular broadcast on the network from outside the capital. Thus when Radio 1 was launched, there was no FM frequency range allocated for the station, the official reason being that there was no space, even though no commercial stations had yet launched on FM.

Because of this, from launch until the end of the s Radio 1 was allowed to take over Radio 2's FM transmitters for a few hours per week. To coincide with Radio 1's 20th birthday, the first full-time FM broadcast began in the London area on 31 October , at low power on A month later, to coincide with an extension of broadcast hours, Radio 1 stopped broadcasting on Radio 2's FM frequencies on weeknights and on Sunday evenings and by all usage of Radio 2's FM frequencies had ended. Radio 1 made great efforts to promote its new FM service, renaming itself on-air initially to 'Radio 1 FM' and later as '1FM' until The engineering programme was initially completed in Radio 1's medium wave frequencies were reallocated to Independent National Radio.

In the initial months after this closure a pre-recorded message with Mark Goodier was played to warn listeners that Radio 1 was now an "FM-only" station. The BBC launched its national radio stations on DAB digital radio in , however the technology was expensive at the time and so was not marketed, instead used as a test for future technologies.

DAB was "officially" launched in as sets became cheaper. Sirius Canada began simulcasting Radio 1 when it was launched on 1 December also on channel BBC Radio 1 can be heard on cable in the Netherlands at On 10 August the BBC issued the following statement:. This agreement has now unfortunately come to an end and BBC Worldwide are in current discussions with the satellite radio station to find ways to continue to bring popular music channel, BBC Radio 1, to the US audience. We will keep you posted. The channel is still unavailable on the satellite platform of the service.

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  • The stream is no longer available on the Internet Radio platform. From until , Radio 1 split the home nations for localised programming in Scotland, Wales and Northern Ireland, to allow the broadcast of a showcase programme for regional talent. Most recently, these shows were under the BBC Introducing brand. Scotland, Wales and Northern Ireland had their own shows, which were broadcast on a 3-week rotational basis in England. Wales's show was hosted by Jen Long between January until May The show was formerly presented by Rory McConnell.

    Before joining the national network, Colin Murray was a presenter on the Session in Northern Ireland, along with Donna Legge; [51] [52] after Murray's promotion to the network Legge hosted alone for a time, and on her departure McConnell took her place.

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    The opt-outs were only available to listeners on the FM frequencies. Because of the way the DAB and digital TV services of Radio 1 are broadcast a single-frequency network on DAB and a single broadcast feed of Radio 1 on TV platforms , the digital version of the station was not regionalised. The BBC Trust announced in May that the regional music programmes on Radio 1 would be replaced with a single programme offering a UK-wide platform for new music as part of a series of cost-cutting measures across the BBC.

    This made the station stand out from other top 40 stations, both in the UK and across the world. Due to restrictions on the amount of commercial music that could be played on radio in the UK until the " needle time " limitation the station has recorded many live performances. Studio sessions recordings of about four tracks made in a single day , also supplemented the live music content, many of them finding their way to commercially available LPs and CDs.

    The sessions recorded for John Peel 's late night programme are particularly renowned. The station also broadcasts documentaries and interviews. Although this type of programming arose from necessity it has given the station diversity. The needletime restrictions meant the station tended to have a higher level of speech by DJs. While the station is often criticised for "waffling" by presenters, an experimental "more music day" in was declared a failure after only a third of callers favoured it.

    Radio 1 has a public service broadcasting obligation to provide news, which it fulfills through Newsbeat bulletins throughout the day. Shared with 1Xtra , short news summaries are provided roughly hourly on the half-hour during daytime hours with two minute bulletins at In recent years Radio 1 has utilised social media to help reach a younger audience. Its YouTube channel now has over 5 million subscribers. The station also has a heavy presence on social media, with audience interaction occurring through Facebook and Twitter as well as text messaging.

    It was announced in that Radio 1 had submitted plans to launch its own dedicated video channel on the BBC iPlayer [57] where videos of live performances as well as some features and shows would be streamed in a central location. Radio 1 provides alternative programming on some Bank Holidays. Programmes have included 'The 10 Hour Takeover', a request-based special, in which the DJs on air would encourage listeners to select any available track to play, 'One Hit Wonder Day' and 'The Chart of the Decade' where the biggest selling singles in the last 10 years were counted down and played in full.